Tag: historical fantasy

“Damned If You Do” Has A Release Date — And An Excerpt!

We here at Olivia Waite are proud to announce that Damned if You Do will be available on:

"Damned if You Do" releases on December 14, 2011!And to whet your appetite, an excerpt!

Chapter One
Hell, 1815

Idared was proficient in the use of all the correct torture implements for a demoness of her rank, but with the whip she was an artist of unparalleled caliber. Her weapon of choice was a long, black leather bullwhip, lovingly oiled and finished with a cracker made of her own jet-black hair. With this, she could kiss the earlobe of a damned soul standing twenty paces behind her back without turning around. She could also land a blow that would rend flesh from chin to chestnuts on a body in front of her. The mere sight of her lithe arm with its dusky olive-green skin drawn back in preparation for a strike had been known to make hardened centuries-dead criminals weep with despair.

Now, whip coiled and docile in her hand, she stood before her latest assignment. Until today all her work had been practiced upon groups, most often the spirits of former pirates and roving thieves who, quite naturally, came through in numbers. The vicious human wars of the past few years had swelled the ranks of the damned even more, so there were advancement opportunities for ambitious demons at every level. Hard work and dedication had paid off—Idared’s rank had recently been raised from Great Marshal to Knight, a rare and coveted promotion that separated the undistinguished lesser demons from those with greater glories in their future. Henceforward, she was expected to devote her days to the punishment of one notably wayward soul.

“You are Benjamin Davis?” she asked the damned man standing before her.

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My Favorite Subgenre: Fire And Hemlock

{This is one of a series of posts on historical fantasy romance; earlier episodes have talked about Mairelon the Magician and The Enchanted Chocolate Pot.}

Although I’ve been a fan of Diana Wynne Jones from way, way back, I am still finding books of hers I haven’t read. She has so many! One of these was the strange, thought-provoking Fire and Hemlock, which has both one of my favorite and one of my least favorite plot devices.

Favorite Plot Device: Blurring Fact and Fiction

I love when stories cross lines between what is real and what is fictive. I loved it in Sophie’s World and I loved it in this book as well. And nobody can capture that eerie moment where the world feels capable of coming apart better than Diana Wynne Jones. Things move very fluidly here between legends and modern London, between Polly’s buried set of memories with Tom and her surface set of memories without him. Stories that Polly and Tom write to each other start coming true, which is just plain eerie, and it’s not immediately clear what’s happening or how dangerous it may be.

At times this makes it hard to predict what’s going to happen and how obstacles are going to be overcome—but I am almost always more comfortable when I either know what’s going to happen or have read a story before. Movies, too, unless they are clearly following a formula, often take a second viewing for me to get beyond the mechanics of plot and into the shape of the narrative. (I’m looking at you, Joel and Ethan Coen.) The first time through, except in very rare cases, I’m always more concerned about what’s going to happen than in why something is happening.

This may well be a fault of mine as a reader/viewer, but that’s another story.

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Historical Fantasy: The Enchanted Chocolate Pot

The lovely authors at the Enchanted Inkpot have a recent post up that explains the difference between urban fantasy, high fantasy, historical fantasy, paranormal, magical realism, and reality-based fantasy. It’s a handy little cheat-sheet, and it’s a perfect link to open today’s post about one of my favorite recent works of historical fantasy: Sorcery and Cecelia: Or the Enchanted Chocolate Pot by Patricia C. Wrede and Caroline Stevermer.

I tried to read this book as a teenager once I’d discovered Patricia Wrede’s other books, but somewhere in the first chapter I stalled out. At the time I hadn’t read much in the way of Georgette Heyer either, and La Heyer is the clear precursor to this wonderful little gem of a novel. That influence is clear in both the lightness of the language and in both Kate and Cecelia’s spunky and strong-willed natures.

It’s one of the more unusual novels in terms of structure: not only is it epistolary, and takes the form of a series of letters from one heroine to another, but it was written via letters between the two authors, with only a few conversations about timing and nothing about how the two separate plotlines were going to work out. And yet the book feels unified, connected by the characters’ shared history and affection and proffered pieces of advice to one another.

This story is a perfect example of how limitations on a story can work to a book’s benefit—the result of two talents working together to create something greater than the sum of its parts. The fact that neither author knew the end of the other’s story means the questions our heroines ask and the advice they give is realistic and relatable. The men are a bit of a mystery, as we never see inside their heads—but that just adds to the charm of the old-fashioned Regency romance vibe.

I also highly recommend the second in the series, The Grand Tour, and I have the third as a used hardback on my TBR pile.

I have never been more glad to give a novel a second chance.

{Next up: the brilliance of Diana Wynne Jones and specifically Fire and Hemlock.}

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My Favorite Subgenre: Mairelon The Magician

We here at Olivia Waite love to use twelve words when three would do the trick. It’s a fault, but it’s our fault, and one that we probably will not shed without great effort.

But at times, it’s hugely inconvenient.

For instance, when we want to define the kind of romances we love reading more than any other, we have to fall back on the term historical fantasy romance because it is pleasantly concise. If pressed for more detail, though, we can explain more precisely that we love books about magic set in otherwise normal areas of past history, quite usually the 19th century, and quite usually London or other parts of the British Empire. With love stories.

And for this taste, there is only one book to blame: Mairelon the Magician by Patricia C. Wrede.

I consider this book a romance, though the romance plot is really mostly contained in the sequel, The Magicians’s Ward. The first book grabbed me as a kid and never once let go: it’s got a cross-dressing heroine from the lower classes, a thief, who would do just about anything to get away from the terrifying underbelly of London. Even break into the wagon of a disreputable magic-user, who turns out to be a disgraced member of the aristocracy (and incredibly powerful magician) on the lam as he tries to find the real thief of a powerful set of artifacts. It’s The Fugitive meets Harry Potter meets Georgette Heyer. There’s a library break-in scene, a hapless young dandy who gets in over his head, a gruff but soft-hearted manservant—the works.

I’ve read it more times than I can count, and ever since I’ve been on the lookout for things just like it. They were few and far between for many years, but lately they’ve been easier and easier to find. (One more reason to give thanks for the internets.) Over the summer, I’m going to showcase at least one of these books per week, in the hopes that kind commenters will chime in and let me know about more.

{Next week: more Patricia Wrede goodness with Sorcery and Cecelia: Or the Enchanted Chocolate Pot!}

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