An Goris on "Matricide in Romance Scholarship"

{While Olivia is on vacation, please enjoy this excellent piece of romance scholarship from the Journal of Popular Romance Studies.} "Matricide in Romance Scholarship? Response to Pamela Regis’ Keynote Address at the Second Annual Conference of the International Association for the Study of Popular Romance” by An Goris

In order to get a grip on some of the dynamics that underlie the diverging interpretations of popular romance novels put forth in different scholarly studies of the genre, Regis adopts as a methodological approach the rhetorical analysis of literary criticism as texts constituting a discourse community. This approach allows her first to establish that the critical community of popular romance scholars shares a set of values, and second to analyse how the critics’ different positioning of the object of study (the contemporary popular romance novel) in relation to these shared values informs the rather different findings, interpretations, claims, and conclusions formulated by each of them. By emphasizing the notion that all romance scholars are essentially answering the same, community-imposed question—namely, are popular romance novels complex?—Regis draws attention to a core issue that all romance critics have in common, regardless of their many different approaches, frameworks, and objectives. Each act of criticism, Regis’ analysis makes irrefutably clear, requires the scholar to take up a position in relation to the object of study—requires, that is, a basic conceptualisation of the romance novel. It is in this process of conceptualising the romance novel, Regis essentially argues, that one of the core explanations can be found for critics’ rather differing takes on the same genre.